Blog
Ceramic Arts Queensland publishes many articles on the ceramic arts in its Quarterly Bulletin and fortnightly Flash newsletters. These are a selection of those articles along with reports from our Toolkit Workshops and other articles of interest to those interested in the ceramic arts.
The Making of Masters: History of the Siliceous Award for Ceramic Excellence
The Siliceous Award for Ceramic Excellence is a recognition and celebration of artistic excellence and innovation in ceramics. Since being established the Siliceous Award has...
Your CAQ Membership
Thank you for joining Ceramic Arts Queensland! CAQ is a not-for-profit volunteer-run organisation which relies on the generosity and participation of its members. Here is a short...
Siliceous Award for Ceramic Excellence 2023 Winner Announced
Ceramic Arts Queensland (CAQ) is delighted to announce the winners of the 2023 Siliceous Award for Ceramic Excellence and the inaugural Gwyn Hanssen Pigott Wood Fired Ceramics...
CAQ Survey
Moulding Perspectives: Help Shape the Future of Ceramic Arts in Queensland Ceramic Arts Queensland (CAQ) supports members who may be ceramic artists, production potters, ceramic...
2021 Siliceous Award e-catalogue
e-catalogue Ceramic Arts Queensland is pleased to publish this e-catalogue of the 84 finalists' work from the 2021 Siliceous Award for Ceramic Excellence. Please feel free to...
Siliceous Award for Ceramic Excellence 2025
Entries are now open for the 2025 Siliceous Award for Ceramic Excellence. The Siliceous Award for Ceramic Excellence is a recognition and celebration of artistic excellence and...
Elemental Annual Members’ Exhibition 2024
Elemental is Ceramic Arts Queensland's highly anticipated annual exhibition of ceramic work. The exhibition showcases the diversity of contemporary ceramic art practice, with...
Connecting with Clay Communities in Queensland
The clay community in Queensland is creative, vibrant, and diverse. This short guide will help you find your people. If you are a clay group or studio and would like to be...
Elemental 2024
Ceramic Arts Queensland proudly presents Elemental, its highly anticipated annual exhibition of ceramic work, at the Brisbane Institute of Art. The exhibition showcases the...
Interview with Simon Levin by Jude Muduioa
Internationally renowned potter, teacher, writer, and mentor Simon Levin will be visiting Australia later this year. Ahead of his much anticipated workshop with Ceramic Arts...
Interview with Sara Pane by Jude Muduioa
Ceramic Arts Queensland is delighted to be hosting 2023 Siliceous finalist Sara Pane for a workshop where she will share her specialist skills in printmaking and ceramics. In...
Resilience & Reward: Astrid Salomon
The 2023 Siliceous Award for Ceramic Excellence was given to Astrid Salomon’s work 'Dark Fruit'. Salomon is a German-born Melbourne-based artist who is relatively new to the clay...
Siliceous Award for Ceramic Excellence 2023 Catalogue
Our catalogue, featuring all of the finalists in our Siliceous Award for Ceramic Excellence, is now available - click HERE. The exhibition will be on display daily until Sunday 5...
Siliceous Award for Ceramic Excellence 2023 Finalists Announced
Siliceous Award for Ceramic Excellence 2023 Finalists Announced: Innovation and Excellence in the Ceramic Arts Ceramic Arts Queensland (CAQ) is pleased to announce the artists...
SILICEOUS – Australia’s Leading Ceramic Art Prize
The Siliceous Award for Ceramic Excellence is one of Australia’s leading and most valuable ceramic art prizes, with a major acquisitive prize of $7,000. Ceramic Arts...
CAQ’s permanent collection – sneak peak
Part of CAQ’s role is to acquire significant works from Queensland ceramic artists for a curated Permanent Collection. This collection now comprises over 200 works by ceramic...
Welcome to the new CAQ Board
Ceramic Arts Queensland held its 2022 AGM on Sunday 13 March at Brisbane Institute of Art. We were happy to have the meeting at this wonderful space despite the building having...
Clay Chat #3 Q&A session
Clay Chat #3 28 November Some members of the CAQ board presented an informal Q&A session at the Butter Factory Arts Centre on the closing day of the Siliceous Award for...
Insurance for Artists – the basics explained
INSURANCE! This is one of those topics that confuse, confound and frustrate many of us. So here is a very brief explanation of what you may require as a ceramic practitioner. ...
And the entries are in!
2021 Siliceous Award update The Board and staff of Ceramic Arts Queensland (CAQ) have been thrilled to receive a large number of entries for the 2021 award and the selection...
Elemental Exhibition opens
Friday 13th August, 2021 Dianne Peach, Ceramic Arts Queensland's President, officially opened the exhibition and thanked members for contributing to this annual event. She also...
Bus to the 2021 $7,000 Siliceous Award for Ceramic Excellence
To help some of our east coast CAQ members and ceramic lovers attend this year's Siliceous Award for Ceramic Excellence in Cooroy, we are offering a bus service picking up from...
2021 $7,000 Siliceous Award for Ceramic Excellence
About the Siliceous Award Ceramic Arts Queensland (CAQ) is the umbrella organisation for potters and ceramic artists in Queensland and northern NSW. The Siliceous Award is...
CAQ Raku Experience
April 2021 CAQ Raku Experience Brisbane Visual Arts Community (BVAC) invited CAQ to their Open Day in April this year to demonstrate the raku experience. As usual, crowds were...
Raku Play Day 2020
Raku is a method of firing pottery that is quick, inexpensive and spectacular! Originating in 16th Century Japan and now practised all over the world this fun way of low-firing...
Q&A With Vicki Grima, Chair of The Australian Ceramics Triennale
How did the people of Hobart respond to the event? The Triennale was well-supported by local galleries, TMAG, UTAS and those further afield around Tasmania who planned...
Dan Elbourne’s Deathgate Exhibition
I was fortunate enough to be able to be present at the opening on 11 May of artist, Dan Elbourne’s exhibition, Deathgate. This exhibition is a ceramic installation that comprises...
Mollie Bosworth Decorative Techniques Workshop – Sunday 19 May 2019
We were very fortunate to have Mollie Bosworth talk about her stunning decorative techniques, for while she has been using and experimenting with mineral salts for many years,...
Hobart Triennale 2019 Wrap-Up
At the closing session of the recent Australian Ceramics Triennale in Hobart, 1-4 May 2019, the 700 strong audience was invited to assemble again in Central Australia. The...
Photographing Ceramics – An evolution of process
I’d like to start with a caveat as such - I don’t profess to being a professional photographer, but like all potters, I have an ongoing need to document and promote my work...
Simple Rules for Composition of Pottery Photographs
Every pottery picture tells a story. An essential part of that storytelling is the composition or relationship between the elements within a photograph. The things that affect...
How and Why To Make A Shrinkage Measure
Somewhere down the track, you may need to make something to a particular size. And knowing that clay shrinks quite a bit, it is vital to know precisely how much and when in the...
What! Turn Our Garage Into A Pottery Studio?
Planning a ceramics studio conversion needs some careful thought. A two-car garage under a suburban home has to be converted into a small pottery teaching studio that could house...
Making Glazes – Theory And Practice
How to save money and give your ceramic art that unique touch. When a wide range of commercial glazes are available for speedy delivery at the click of a button, why would you go...
Seger Yields to Boron at Cone 6
Recent glaze research work in the US by both Matt Katz and Sue McLeod looks at the use of Boron as a flux in cone 6 firings. Cone 6 is used typically with mid-fired clays in...
Making your ceramics look great in digital photographs
It’s important to remember that in the internet age, your ceramic artworks have two existences. The first is the actual object: it has three dimensions, it’s solid and, well,...
The Art Of Documenting And Delivering Your Ceramics
Here’s the good news. You have finally gotten most of your pots through all the stages of firing, and there they are, just out of the kiln, laid out on the table, all splendid...
Digital Photo Editing Techniques For Instagram & Social Media
In Instagram, images that “pop-out” is the term for photographs that reach out and grab the attention of users for that 100 milli-seconds people spend deciding if they will look...
Raku in Schools – Aspley State High School
On Thursday the 25 October 2018, Visual Art students at Aspley State High School participated in a Raku Firing workshop with the help of Tania Edwards from Ceramics Arts...
Doing The Sums – Methods Of Pricing Your Pottery
Pricing your pottery is always a vexed issue, that never seems to get more comfortable. Markets and tastes are ever-changing, so is the price people are willing to pay for...
The Australian Ceramics Triennale – An Interview with Vicki Grima
The Triennale is Australia’s landmark national ceramics conference, bringing artists, educators, theorists and collectors from around the country, and the world, together to...
CERAMICS & SOCIETY: Christmas for Capitalism or for Craft
Capitalism treats every place and its inhabitants as a generic resource. As a result, the sleek shiny plastic baubles that are instantly attractive are found the world over; they...
Monte Lupo – Bringing colour to the community
Monte Lupo Arts is a ceramics based art studio established in 1991, inspired by the small pottery village in Tuscany. The studio provides training, job coaching and employment...
Why Makers Make – Function, Form and Fine Art
This article looks at the intersecting concepts of function, form and fine-art in ceramics as a way of understanding the way makers approach their clay works. On a fundamental...
Ceramics and Society: 50 Years of Evolution
To gain any insight in contemporary Ceramic practice in our society as it stands at present, it is first necessary to look back at how it has evolved over the past fifty or so...
With Heart and Hand – Art Pottery in Queensland 1900-1950
While the individual accomplishment of the pottery is considerably varied the number of potters identified demonstrates, unequivocally, how thoroughly Harvey School ceramics...
De-mystifying Terrasigillata – Toolkit #5 Pru Morrison
Painting with coloured clay water: Terra sigillata or ‘Terra Sig’ if you are a cool dude or can’t spell, is not that difficult to make and use! It just sounds complicated. Pru...
The Full Time Potter – What it takes for the creative maker to succeed in business
As a business person, I often look at potters with a mixture of profound respect and utter bemusement. How can anyone spend his or her life with their hands in mud, work for a...
The Ian Currie Memorial Lecture
The presenters of the 2018 Ceramic Arts Queensland Ian Currie Memorial Lecture knew Ian Currie well. Both Paul Davis and Jacqueline Clayton regard the “Ian Currie method” as a...
Ceramic Arts Queensland Raku Days For Schools And Clubs
Raku is a method of firing pottery that is quick, inexpensive and spectacular! Originating in 16th Century Japan and now practised all over the world this fun way of low-firing...
The latest in electric kiln technology
Basic kiln technology has been relatively slow to change. The fundamental things a kiln has to do - applying heat-work to clay objects - is a pretty uncomplicated thing to do....
Mould Making with Somchai Charoen
Somchai Charoen is a Thai born ceramic artist based in Sydney who has exhibited both nationally and internationally. Trained in industrial ceramic design, he was a former lecture...
The Wallace Rockhole Pottery – 8 Years On
Ceramic Arts Queensland members have been following the progress of Su Brown and Wallace Rockhole Pottery for a number of years now. We marvel at Su's input at Wallace Rockhole,...
Mas & Miek: Love it – Live it (and it has to be fun)
Mother daughter team Charlie and Mieke Proost - De Deyne developed a successful pottery business that sells pottery, coffee and pottery classes. It took a while but the business...
Large Throwing Simplified with Cameron Williams
On a warm Brisbane morning more than twenty five potters gathered in the courtyard of the Brisbane Institute of Art. They came together to learn new techniques in the art of...
Artist-in-Residence (AIR) Opportunities in Japan
According to the comprehensice Artist In Residence (AIR) database in Japan AIR_j.info, there are several AIR business models dedicated to ceramic arts. Ceramic Arts Queensland is...
The Contemporary Ceramic Art of Emere Can
Emere Can uses the 3D printed ceramic as base form and then adds to it by hand to “transform the artificial forms from a machine into an organic structure, to deform the ceramic...
Opening up an Industrial Machine to Incidental Art
The industrial machine is a black box between designers and users. It is an imaginary border dividing craft and design. The works of Olivier van Herpt, however, pry apart the...
Roderick Bamford on the Future of the Clay Process
For many artists, the process for producing their work is often as important as the final outcome. At the other extreme there are artists who care little for the process and...
Mollie Bosworth – 2017 Siliceous Award Winner
Mostly self taught, Mollie Bosworth completed a Diploma of Art (ceramics) at the Australian National University in 2003. She has won several awards for her work including the...
Siliceous Winners 2017
The 2017 Siliceous Entries were judged by Greg Daly in August. Here is the winner, the highly commended entries and the two commended artists. The competition was won by Mollie...
Siliceous Entries 2017
The judge for the 2017 Siliceous Competition, Greg Daly, praised the high standard of entries this year. With over 30 entries in a wide variety of styles, Greg remarked that...
Member’s Exhibition 2017
Stunning, high-quality entries for 2017 Member's Exhibition This year's Member's Exhibition produced some remarkable work from the members of Ceramic Arts Queensland. Reproduced...
The 2017 Siliceous Ceramic Art Award Winners
The 2017 Siliceous competition featured a very high standard of entries. Competition judge Greg Daly said that choosing the winner was particularly difficult when such a high...
The Kyoto Potters – Smoke on the Water
Chester Nealie introduced three potters from Kyoto Japan - Aki Katayama, Kasumi Ueba and American Derek Larsen. Pottery made in Kyoto is referred to as “Kyo-yaki /...
Shirobey Kobayashi
One of the first International Artist to arrive at Cooroy for the Smoke on the Water Woodfirers Conference was Shirobey Kobayashi. Shirobey is a Japanese ceramic artist who in...
Influential Woodfirers
The spark that ignited an explosion in the studio potters’ movement of the early 60s has not been identified. That fire burned brightly for a few decades and then smouldered for...
Derek Au and the Glazy database
We have recently added the Glazy online ceramic glaze database to our new website. Glazy has been developed by an American "geek-potter" Derek Philip Au. Derek worked in the IT...
Kim Wallace Tableware
My style is elegant simplicity focusing on materials and shapes and highlighting their beauty, providing a canvas for chefs and home cooks alike to plate their food. I draw my...
CAQ Raku Demonstration – Southside Art Market
At the Morningside School of Arts on Sunday 30 April, Ceramic Arts Qld volunteers demonstrated how it’s done to an inquisitive crowd of adults and children at the the Southside...
TOOLKIT #1 Anna-Marie Wallace, Made OF Australia
RUNNING A SUCCESSFUL CERAMIC MANUFACTURING BUSINESS Sunday 19 February 2017 Anna-Marie Wallace began her workshop by thanking the indigenous community who are "part of this...
“Watcha doing Su, can I join ya?”
2016 is zooming by and my very short visit to Central Australia this year rapidly came to an end. I am often asked why I do this, head off to the small Aranda Community at...
Sculpting the Human Head
Sculptor Alexander Esenarro has flown in from Melbourne to present the last of Ceramic Arts Queensland’s Toolkit workshops for 2016. The RQAS - an impressively large and...
Artistic Adventures in Vallauris
In July of this year with the assistance of an Arts Queensland Career Development grant, I had the privilege to take up a month long residency with A.I.R. Vallauris [Artists in...
Poetry in Clay
Kylie Johnson is the owner and creator of Paper Boat Press, a boutique ceramic studio in Ashgrove, Brisbane which she opened in 2004. There she sells her own work, holds...